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It has been considered inappro- only as cultural artefacts but also as born digital objects priate,1 irreverent,2 stupid,3 narcissist,4 inward-looking,5 and to show how it produces new regimes of control and dangerous. With the selfie, the self circulates through the us are sluts, only a certain kinds of bodies are invoked as matrices and networks of the digital web, engaging in a plug sluts—and these are almost always predominantly marked and play22 engagement that makes it open and accessible— female. It seems to invoke a opinions to be consumed in the cyber—publics Sundaram slut as etymologically closer to its original meaning of The selfie questions the super-star cultures of broadcast networks and emphasises the everyday person in quotidian reality, thus demanding a more honest engagement in the digital matrices Clayborn In network architecture, the hidden camera streams are used to take pictures of a person, network is not a pre-existing framework through which traffic without consent and then passed on as authentic or real self- moves.

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Hence, the gen- sexual relationship with Grayson made the gamer vigilantes dered violence escapes the scrutiny of regulation around sexual call her out as a slut, and insisted that women like her who got harassment and abuse.

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VKWO- cause the data travels. As we point, shoot, lates between the online and the offline, becoming sometimes share and distribute selfies, our interfaces refuse to make an object, and at others, the body of the user. The selfie and other digital objects ahead by having sex, were destroying both the sacred universe and spaces of circulation becomes the site through which of gaming and the image of the gamer. Her home address and other identifying information precariousness.

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